Basho - My Soul Friend - mo anam cara

 

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When we compose a haiku we are saying, "It is hard to tell you how I am feeling. Perhaps if I share with you the event that made we aware of these feelings, you will have similar feelings of your own."

-William J Higginson

The Haiku Handbook

 

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On the Poet’s Trail

Footsteps fall softly
Following the path
Of Japan’s haiku master

 

 

an ancient pond

 a frog jumps in

 the splash of water 

[1686]

 

“Each day is a journey, and the journey itself home,” the poet Matsuo Basho wrote more than 300 years ago in the first entry of his masterpiece, Oku no Hosomichi, or Narrow Road to a Far Province. 

 

The words are on my mind as I prepare to walk in the footsteps of this revered poet, along his narrow road—the 1,200-mile route he followed through Japan in 1689. I confess that even to imagine doing so is a bit daunting. 

 

My late friend Helen Tanizaki, a linguist born and raised in Kyoto, told me, “Everyone I went to school with could recite at least one of Basho’s poems by heart. 

 

He was the first writer we read in any exciting or serious way.” Today thousands of people pilgrimage to Basho’s birthplace and burial shrine and travel parts of Basho’s Trail. After three centuries his Narrow Road, in print in English and many other languages, still speaks to readers around the world.

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Krishnamurti speechs about freedom  

 

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 Morning Mist: Through the Seasons With Matsuo Basho and Henry David Thoreau (Inklings)

 

 

 

Anam cara 
Retreat Centre

Writing from Within
Double Rainbow: Haiku and the Spiritual Dimension
Leaders: Maeve O'Sullivan, Ireland, and Kim Richardson, England

 

Following the success of their first workshop, held at Anam Cara in July 2007, this workshop is designed to help you develop paths to your inner inspiration -- the path within. “Toward this goal, we work with the ancient medium of haiku poetry and its related forms, with their roots in Zen and its emphasis on mindfulness. 

 

 

Combining the haiku work with meditation, breath and light practices, the outstanding natural beauty of the Béara Peninsula and the peace and quiet of Anam Cara, our aim is to heighten levels of awareness and to open creative channels.”

 

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Basho, Mo Anam Cara, Haiku

 

Basho

– Soul Friend - Mo Anam Cara

 

Like most poetry forms, haiku has had its high moments of invention and resurrection as well as times when the form fossilized. Poetry forms are only a structure for the poet to pour into their unique variety of creation.

 

Matsuo Kinsaku (1644-1694) is better known by his pen name Basho, which translates as a banana like variety of Japanese plantain. The plant rarely bears fruit and rarely as luxuriantly as its tropical brethren. His pen name originated from the basho plant that grew beside his hermitage.

 

Through him haiku, already a popular indigenous verse form in Japan, took on new vigor. He used the formal rules but the haiku he wrote vibrated with life and spirit.

 

It is said that he was a Zen monk, but we must not project upon him an over austere persona. Like many monks he is thought to have tried marriage at some point.  From his haiku you glimpse riotous renga parties attended as well as saki hangovers. Basho may have been a spiritual seeker but he was not precious or over pious. 

 

He is thought to have had a great friend in the son of his Master's house where he served as a young page. And like many young men in his twenties there are plenty of rumors about paramours. Needless to say, what his likeable about Basho is that he seems to have had warm relations with his peers. Although living three centuries ago, we can glimpse something universal in his experience. But his most salient characteristic seems to have been his need to travel and explore as well as write. Many of his haiku can be considered verse postcards from his travels. Samurai life could not contain his spirit.

 

Yet, he also had this need for solitude, to be out on the road rather than opting to live in a monastic community. He chose to live as an itinerant poet tutor and often lived in leaky huts, like the one beside the eponymous basho tree where his sole companion was a she cat.

 

Girl cat, so
thin on love
and barley

 

What opens my heart in Basho is this very human combination of needing both solitude and companionship. This is true of the spiritual journey as well as in our every day 'ordinary' lives.

 

While we do not necessarily need to embark on long physical journeys like Basho, many spiritual seekers begin their inward yearning and learning with outward travel.

 

Suddenly the sun rose -
the scent of plum blossoms
along a mountain path

 

In this haiku there is an illumination. Through the conventions of Japanese haiku we know from the plum blossoms that it is springtime, a time of renewal. We are gifted the "perfume" of the experience on a mountain path, a way into higher states of consciousness.

 

Basho had poetry students in his time. He still is teaching with the legacy of his 1,000 haiku and his travelogues. His patient and compassionate eye on nature - without an explicit preservationist or conservationist agenda - makes his best haiku a direct experience of our essential oneness with all of creation.

 

After I viewed the moon

my departing shadow

followed me home

 

 

© Bee Smith 2008

 

Simply Haiku: A Quarterly Journal of Japanese Short Form Poetry


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Irish Mythology Storyteller

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